Posts Tagged ‘MUSIC-SURVIVAL-GUIDE’

SO…back in April of 2015 I made a post here about Favorite Albums, saying that I had been working on compiling a list of mine as a fun exercise to pinpoint a bunch of records that really made me, changed me, supported me, etc etc. Then again in September of 2015 I posted a follow up about not forgetting the project I gave myself that I wanted to share with whomever was interested. And now, fast forward to the present, almost two years later (which is horrifying). I have finally finished said list. It wasn’t necessarily two years in the making or anything like that, but, every time I opened the document with this sprawling list of wonderful records I always redefined it, added to it, subtracted, making subsections until finally this week I said, if not for anyone else I want to finish this crazy little project for myself for multiple reasons. One being because I always finish what I start and two, because I’m a mega music geek. I began this idea saying I was going to do a Top 25, then a Top 50 but came to the conclusion as I sat down in front of a wall of music that it’d be impossible for me, so, I decided to go for a Top 100, and even that was hard (you’ll even see an “honorable mention” section here because 100 just wasn’t enough :::wipes sweat from brow:::). On this list you’ll find: Pop, Metal, Singer/Songwriter, New Wave, Alternative, Rock and ALMOST everything in between. These selections come with a boat load of memories and inspiration for me, it’s not just because I love these records but they also hold little pieces of the puzzle that form my life. I’m happy to have them and thankful to all of these people involved in sharing what they do, because in the end that’s what it’s all about. So here, I share this list with you. Hope you have fun with it. Could this change by next month? Hahaha, it sure can so let me hit that publish button cause then I can’t turn back. If you don’t know these records, find and seek! Rock on!

Jellyfish – Bellybutton
Extreme – Pornograffitti
Jellyfish – Spilt Milk
Extreme – Extreme
Seed – Ling
Marilyn Manson – Portrait of an American Family
White Zombie – La Sexorcisto:Devil Music Vol. 1
Saigon Kick – Water
Moonwater – Invitation
Teenage Fanclub – Bandwagonesque
Prince & The Revolution – (Music From) Purple Rain
Darlahood – Big Fine Thing
Mineral – EndSerenading
White Trash – Si O Si, Que?
Engine Alley – Engine Alley
Plexi – Cheer Up
Faith No More – The Real Thing
Wilson Phillips – Wilson Phillips
Nuno – Schizophonic
Nirvana – Bleach
Mr. Reality – Mr. Reality
Sparkler – Wicker Park
Edie Brickell & New Bohemians – Ghost of a Dog
Spookey Ruben – Modes Of Transportation Vol. 1
Zuckerbaby – Zuckerbaby
Limblifter – Limblifter
Hawksley Workman – For Him and the Girls
Animal Bag – Offering
The Murmurs – The Murmurs
Raging Slab – Dynamite Monster Boogie Concert
Blind Melon – Blind Melon
Flowerhead – The People’s Fuzz
Wig – Wireland
Placebo – Placebo
Jason Falkner – Presents Author Unknown
Sponge – New Pop Sunday
Saigon Kick – The Lizard
Marilyn Manson – Smells Like Children
The Age Of Electric – Make A Pest A Pet
Animal Bag – Animal Bag
Ned’s Atomic Dustbin – Are You Normal?
Tori Amos – Boys For Pele
Teenage Fanclub – Grand Prix
Placebo – Without You I’m Nothing
The Black Crowes – Amorica
Smashing Pumpkins – Siamese Dream
Aimee Mann – Whatever
Lemonheads – It’s a Shame About Ray
Nirvana – InUtero
Savage Garden – Savage Garden
Reigndance – Problem Factory
Muzzle – Actual Size
White Zombie – Astro Creep:2000 Songs of Love, Destruction and other Synthetic Delusions of the Electric Head
Sugartooth – Sugartooth
Matthew – Everybody Down
Tears For Fears – Songs From the Big Chair
The Escape Club – Dollars and Sex
The Lost Boys – Original Motion Picture Soundtrack
Spookey Ruben – What’s a Boy To Do? (Modes of Transportation Vol. 2)
Hawksley Workman – (Last Night We Were) The Delicious Wolves
Marilyn Manson – Anitchrist Superstar
Limblifter – I/O
Prince & The Revolution – Parade (Music from the Motion Picture Under The Cherry Moon)
Darren Hayes – The Tension and the Spark
Imperial Drag-Imperial Drag
Coward – Coward
Cree Summer – Street Faerie
Sons Of Elvis – Glodean
Robbie Nevil – Robbie Nevil
At The Drive-In – In/Casino/Out
Ours – Precious
AFI – Sing the Sorrow
The Age Of Electric – The Age Of Electric
Wendy & Lisa – Girl Bros.
Wig – Deliverance
Limblifter – Bellaclava
Teenage Fanclub – Songs From Northern Britain
The Sundays – Static and Silence
Veruca Salt – Eight Arms To Hold You
The Tories – Wonderful Life
Howlin’ Maggie – Honeysuckle Strange
Blindside – The Great Depression
Depeche Mode – Violator
The Cure – Disintegration
Ours – Distorted Lullabies
Duncan Sheik – Phantom Moon
Candlebox – Candlebox
Rasputina – Thanks For the Ether
Carole King – Really Rosie (Original TV Soundtrack Recordings)
Lisa Loeb and Nine Stories – Tails
Population 1 – Population 1
Spookey Ruben – Bed
Spookey Ruben – Breakfast
Veruca Salt – American Thighs
Vince Guaraldi – A Charlie Brown Christmas
The Ghastly Ones – A-Haunting We Will Go-Go
Skid Row – Slave To the Grind
Dangerous Toys- Dangerous Toys
Martika – Martika
Jeff Buckley – Grace
-HONORABLE MENTION-
Prince – For You
Aimee Mann – Lost In Space
Beatnik Beatch – Beatnik Beatch
Juliana Hatfield – Beautiful Creature
Dishwalla – Opaline
Angie Aparo – The American
Depeche Mode – Some Great Reward
Depeche Mode – Sounds of the Universe
Poison – Look What the Cat Dragged In
Rasputina – How We Quit the Forest
Savage Garden – Affirmation
Prince – Musicology
Pet Shop Boys – Very
The Cure – Galore
Fudge Tunnel – Creep Diets
Jane Child – Jane Child
Culture Club – Colour By Numbers

Less than a week ago I had the pleasure of seeing Lisa Loeb perform again. I’d seen her only once, and it was 20 or so years ago in NYC when I was kid. I remember being so happy after watching her play and being able to be a part of that time when she was really at a peek and I myself was just learning how to be a singer and a songwriter and really absorbing the moment. Now, so many years later and having seen her again was a similar experience but different at the same time. I realized her influence even more.

Promptly taking the stage at 8pm, Lisa and her guitar looked more petite than usual in the Boulton Center on Long Island. Moments into the performance you knew that you were truly in on something special. The room was full of people that were very eager. It was obvious this woman’s work had come to be adored.

Lisa Loeb Live @ The Boulton Center, Long Island 03.30.17

Lisa Loeb live @ The Boulton Center, Long Island 03.30.17 (Photo by Soda)

 

Lisa played and sang and regaled us with a number of stories that spanned the course from her time just starting out up until that very moment. I mean, who wouldn’t want to hear stories of someone coming up in the early to mid-nineties in NYC. Sign me way up! This particular performance was full of those stories and just about equal to the songs given like precious little gifts, and, I was one of the lucky people there for the unwrapping, (thanks Blacktop Records). Hits like “Truthfully” and of course “Stay” were delivered so delicately with connections to the stories that went along with them. Lisa told us about how “Stay” of course changed her life. She was at number one without a record deal, we learned how that happened thanks to the film Reality Bites. It all sounded so magical. We were also treated to songs like “The Disappointing Pancake,” a tune true to it’s title. If you didn’t know, Lisa has also become successful in writing songs for kids, she also has an amazing foundation called Camp Lisa in which all proceeds from that recording of the same name goes to help children who can’t afford a summer camp experience to have one.

Myself and Lisa Loeb, Boulton Center 03/30/17

Myself and Lisa Loeb, Boulton Center 03.30.17

We could sit and listen all night long. It was intimate and personal. She has the charm to make you feel like you’re the only one in the room. Throughout the performance Lisa may have forgotten some words and had to poke around a few chords as well as a very nimble guitar intro in which she was very happy to have learned because it was “the guitar AND bass part rolled into one”. Those happy little mistakes made only for a better show, one in which a successful songwriter, an actor, an author and more…can just seem so, human. Tales of her friends and her children made you feel like you’d have known Lisa your whole life, and…that is a true gift. I certainly hope I don’t have to wait a bunch of years to see the one and only Lisa Loeb perform again as some shows you want to just get lost in. Thanks Lisa!

Check out the latest Lisa Loeb album, Feel What U Feel, out now.

Lisa Loeb - Feel What U Feel

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Rum Fit Mosey “Singles & Filters”

Toronto based Singer/Songwriter Rum Fit Mosey puts forth a very honest and solid effort on debut EP Singles & Filters which was just released via indie label Uglycub Records. First, let’s address the name, (pulled this direct from the artist) – “The rum fits: an old coin of phrase used by sailors to describe the effects of heavy booze withdrawal. A Rum Fit Mosey is one’s ability to sing and dance their way out of it.” Now, onto the music…

At times, songwriters create their own place in which they can find a spot to hide from the world while still being able to contribute to it. This is the case with “Mosey”. It’s a great example of a genuine offering that wants to exorcise some old ghosts while being relatable. These here are the type of songs you want to hear from an old jukebox in a lonely bar. Booze, drugs, heartache…it’s all there. It’s delivered from the heart and without pretense. Although these songs aren’t reinventing the wheel it’s still refreshing because we live in a world overburdened by unbearable and overproduced soulless sounds from fake and airbrushed faces.

If you really like to dig deep for music, then here, you’ve struck a gold nugget. Better yet, there is a cool little concept that goes along with this EP. Apparently, this is a collection of songs that will remain unfinished after its release. Singles & Filters will continue to be recorded and added to. Give this thing a listen and be a part of the journey as it grows. It’s well worth the time, this could easily become your next shoulder to cry on. Again, a real solid effort.

Great for fans of Angie Aparo, Clem Snide and Pedro The Lion

Find it here: https://rumfitmosey.bandcamp.com/releases And enjoy it everywhere.

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Southern California’s own AFI return with…(The Blood Album), their first in almost four years since the dense and very dark Burials. Since AFI’s 2003 breakthrough masterpiece Sing The Sorrow the band has shown us a multitude of styles and soundscapes in the form of Punk, Rock, Pop, Hardcore and beyond. This new installment is no slouch, adding to the bands now very versatile catalogue.

Once again as with Burials, (The Blood Album) shows guitarist, Jade Puget writing all the music for the group, this time however also at the helm producing the record. Much like the Davey/Jade side projects Puget continues to expand the reach and grasp of his monster talent. The album is beautifully produced and very clean with few peeks and valleys, which isn’t necessarily a bad thing with a record so accurately executed. Clearly drawing heavily on their new wave influences this album presents the listener with a bit of a sigh of relief as it’s predecessor was vast and brooding. Not that this one opens all the windows to let the sun in but it does relieve those of us that really appreciate the bands pop territories. This is also probably the closest they have come to the Sing The Sorrow sound in years.

“Blood” opens with the sonic seducer “Dark Snow” with the foursome setting the bar very high which they manage to maintain. The catchy sway of single “Snow Cats” is commercial without seeming lame. More tracks like “Hidden Knives”, will most likely become an AFI classic, both danceable and singable. It’s hard to find something really wrong with this contribution. In whole, the album is pleasantly haunting (“Above The Bridge”), nestled in punk roots (“Pink Eyes”) while remaining flavorfully accessible (“The Wind That Carries Me”).

Put quite simply, AFI is a band that can bend a genre without coming off contrived or insincere and at the same time able to easily return to any style they have showcased in their 25 plus year run. Kudos gents!

(The Blood Album) will enter billboard top 200 at number five. The bands highest charting record since DecemberUnderground.

This past Saturday night (10/15/16) Teenage Fanclub returned to NYC’s Bowery Ballroom to a very ecstatic and eager crowd. Just a few weeks prior The Fannies dropped their latest record simply titled Here, (Charting at No. 10 in the UK). The almost bare bones approach the band has been taking for the last 10 plus years has shown that when a band matures a number of things may indeed change, including the sound and songwriting, but in the case of Teenage Fanclub they remain a very sharp force to be reckoned with as far as that is concerned. Their album covers and artwork may be very subtle since 2005’s Man-Made but the content that awaits the listener is, and has always been a blissful experience, even since their noisier days there’s always been…the bliss.

Arriving on stage just after 10pm on a Saturday night in New York City, the band was greeted by an excited sold out audience. Opening with lead track “Start Again” off of their classic record, Songs From Northern Britain, we were all immediately immersed in what Teenage Fanclub was about to offer us this evening (that offering would be 20 songs long). The band would proceed with a mixed variety of tunes spanning their near 30 year run as a group.

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Teenage Fanclub Live @ Bowery Ballroom, NYC 10/15/16 (Photo: Soda)

The in between song banter was playful and humorous from Norman Blake. Although Teenage Fanclub doesn’t necessarily have an elected frontman, Norman seems to fill those shoes, and sweetly. As the crowd shouted out song title after song title the men on stage smiled from ear to ear, clearly content with the turn out and enthusiasm. There was never a contest to see who played better or sang louder, the band was just one well oiled machine. Vocal harmonies and instrumental chops still perfection, evident on such songs as “I Don’t Want Control Of You”, “Don’t Look Back” and the infamous, “The Concept” it makes you wonder why this band was never a massive success story.

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Teenage Fanclub Live @ Bowery Ballroom, NYC 10/15/16 (Photo: Soda)

As the night pressed on Mr. Blake spoke to and joked with the crowd. At one point he was asked by an audience member to tell whomever it was that was farting the whole night to please control yourself. Over an hour had passed and the announcement from Norman came that the end of the show was evident. Concluding with their biggest American hit, “The Concept”, The Fannies jangled through an amazing rendition, leaving all in attendance hungry for more. And, we would get just that, in the form of a powerful encore including fan favorite, the very upbeat “Radio” off of their ’93 record, Thirteen (this would be the only selection performed from the much maligned album) and concluding the night with “Everything Flows” from their 1990 album, A Catholic Education.

A beautiful and charming performance. Thank you Teenage Fanclub! Come visit again soon.

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Teenage Fanclub setlist 10/15/16 Bowery Ballroom, NYC (Photo courtesy of Gabby Lemons)

http://www.teenagefanclub.com

Just a quick post for today. I have finally created a Facebook page for MUSIC-SURVIVAL-GUIDE. Another branch on the tree. This will be a fun place to interact more as I can post quick bits there rather than taking the time to build these meticulous write-ups which will continue here. I want to turn the FB page into a bit of a community where people can interact and share music, opinions, etc. Let’s see how it goes. Head over there. Like, Follow…whatever you choose. Should be fun!

https://www.facebook.com/officialMusicSurvivalGuide/