Posts Tagged ‘Review’

It’s rare nowadays for a band to not really care about fitting in to some bizarre piece of the puzzle that has become a diluted and soulless musical landscape. It is just that very thing, the soul, that is truly lacking in today’s contributions to sound. To find quality in the current you must dig, peel back a layer, turn over a stone…it IS still there. And my friends, THIS gold nugget of a record is a firm statement that the above is indeed true. After 10 plus years from their debut EP, Captain Black Heart has delivered a full length debut record so well thought out in structure, lyric, melody and beyond. Upon each listen it grows like a flower reaching higher for a sun that seems so easily obtainable.

The duo of Captain Black Heart, Erwin Herceg and Dino Malito make this seem all too easy. Both hailing from a band in the very early 00’s, Serum, who had a criminally shelved and unreleased album ready to give the universe have prevailed and moved onward and upward. The years have been good to these gentlemen and Budgie is them tipping their hats to that gesture. Opener “Of Things To Come” swells with waves of vintage sonic psychedelia that could easily transport you back to a 70’s era garage band who knows how to twist a tone knob while tubes glow and burn up a hot Summer day. The somber dreaminess of the whole record is so pure and even at times delicate. Lead single “Surf” could easily make you wish for the sand between your toes. Herceg’s voice is painfully beautiful. “Don’t you think that they should just drop the bomb, cause it just doesn’t matter anymore…” A dark lyric painted so sweetly by his fair and tender rasp.

Budgie is so rich with instrumentation, both Malito and Herceg lend many a talented stringed thing or synthesizer to the album with help from a few friends along the way. Over the last two weeks I’ve listened to this album only to find a new song subtly announce itself to me, it’s hard to pin down a favorite. “Turn Off The World” is another vintage sounding cracked desert beauty with some growling bass buried so slightly under a lonely slide guitar as Herceg sings about the fondness for his seemingly wise Father. A tribute to life and love, “Someday youth will pass you by…I hope you get it right.” And, we all have tried to…get it right.

This record is a trip through the milky way, a sunburnt canyon, a night under the moon. Just listen to “Dead Crows” and tell me you can’t get lost right there. There is beauty in this pain and the Black Heart boys have the perfect prescription in Budgie. 

While most of the album is a mellow trip ala the 70’s they do sneak in a tune like “Sundowner” which reaches even farther back, dare I say even two more decades. It’s a welcome ice cream sundae slow dance on a prom night long lost.

As retro sounding as the album might be it’s also refreshing and confident without being even slightly pretentious which it has every right to be. It’s just a couple of guys that wanted to make a good record and whatever will be will be. A humble reflection on simple beauty. So, put on a big pair of cans and let that coiled wire dangle as you close your eyes and leave this world for 50 some odd minutes. You’ll be happy you did.

*For enthusiasts of Blind Melon, ZooKeeper and Prophet Omega.*

Budgie spreads it’s wings on October 6th. Please do yourselves a favor and discover some new music. Independent bands need ya!

www.captainblackheart.com

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I would say if a time machine did actually exist that the boys in Sadartha may have been the ones to discover it,  AND the story would go… Somewhere between the years 1990 and 1992 Singer/Guitarist Johnny Noxious and Bass slinger Mello Cefola were dragging a smashed Jaguar six string through a pumpkin patch donning their best ripped up flannel and middle fingers held high. Suddenly, a blinding light ripped through the field and, bang…Sadartha found themselves smack in the middle of a confusing 2017 armed only with copies of their debut record, “Heavy Sound Damage” and ready to push it straight into the face of authority.  What I’m trying to say is that these young guys from Virginia have delivered a true grunge record. It’s kind of scary actually how well executed it is. I mean, let’s face it, most everything comes back around (sigh) and people try to recapture that special time and far too often it’s lacking the soul and true artistry the original possessed. But here, without pretense and very naturally, Sadartha have delivered a wicked album heavily inspired by a genre they obviously are flying a flag for, and it’s great! Noxious wears his moniker proud with his full of attitude vocal approach permeating the record coupled with his dirty/clean/dirty/clean guitar tendencies. Cefola does a great job holding down the fort with Drummer/Engineer Eddie Payne.

Heavy Sound Damage opens with the gritty punk infused “Never Knows Best” which sounds like it could have been a lost single for an old SubPop compilation. Centered in the middle of the record is “Brittle Bullet”, arguably the best song on the record. It’s heavy, dark and one of the better written contributions to the album. “Permeate The Ether” is the discs finale, and it’s a sort of alterna-type space jam which is a tasteful way to go out for a fairly dark record.

With an image and a sound to match, these guys aren’t shy about what they are trying to achieve here, and with some outside production and another year or so under their belts I wouldn’t be surprised if they wound up leading some sort of NuGrunge movement. A solid effort with some scrapes and bruises, but that’s what makes this a truly honest work. Check out lead single and video, “Insects Last Moments” then head to the skate park and tear up some concrete!

GET THE RECORD HERE: https://store.cdbaby.com/cd/sadartha2

Less than a week ago I had the pleasure of seeing Lisa Loeb perform again. I’d seen her only once, and it was 20 or so years ago in NYC when I was kid. I remember being so happy after watching her play and being able to be a part of that time when she was really at a peek and I myself was just learning how to be a singer and a songwriter and really absorbing the moment. Now, so many years later and having seen her again was a similar experience but different at the same time. I realized her influence even more.

Promptly taking the stage at 8pm, Lisa and her guitar looked more petite than usual in the Boulton Center on Long Island. Moments into the performance you knew that you were truly in on something special. The room was full of people that were very eager. It was obvious this woman’s work had come to be adored.

Lisa Loeb Live @ The Boulton Center, Long Island 03.30.17

Lisa Loeb live @ The Boulton Center, Long Island 03.30.17 (Photo by Soda)

 

Lisa played and sang and regaled us with a number of stories that spanned the course from her time just starting out up until that very moment. I mean, who wouldn’t want to hear stories of someone coming up in the early to mid-nineties in NYC. Sign me way up! This particular performance was full of those stories and just about equal to the songs given like precious little gifts, and, I was one of the lucky people there for the unwrapping, (thanks Blacktop Records). Hits like “Truthfully” and of course “Stay” were delivered so delicately with connections to the stories that went along with them. Lisa told us about how “Stay” of course changed her life. She was at number one without a record deal, we learned how that happened thanks to the film Reality Bites. It all sounded so magical. We were also treated to songs like “The Disappointing Pancake,” a tune true to it’s title. If you didn’t know, Lisa has also become successful in writing songs for kids, she also has an amazing foundation called Camp Lisa in which all proceeds from that recording of the same name goes to help children who can’t afford a summer camp experience to have one.

Myself and Lisa Loeb, Boulton Center 03/30/17

Myself and Lisa Loeb, Boulton Center 03.30.17

We could sit and listen all night long. It was intimate and personal. She has the charm to make you feel like you’re the only one in the room. Throughout the performance Lisa may have forgotten some words and had to poke around a few chords as well as a very nimble guitar intro in which she was very happy to have learned because it was “the guitar AND bass part rolled into one”. Those happy little mistakes made only for a better show, one in which a successful songwriter, an actor, an author and more…can just seem so, human. Tales of her friends and her children made you feel like you’d have known Lisa your whole life, and…that is a true gift. I certainly hope I don’t have to wait a bunch of years to see the one and only Lisa Loeb perform again as some shows you want to just get lost in. Thanks Lisa!

Check out the latest Lisa Loeb album, Feel What U Feel, out now.

Lisa Loeb - Feel What U Feel

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Brooklyn’s own SHINOBI NINJA are just about to drop their best album to date. So, you should be aware that this Friday “Bless Up” will arrive a powerhouse of sound and songwriting. Few bands in NYC are at the level the Ninja’s are at. And I don’t say that due to the fact that over the past four years we have become good friends and have shared art, music, respect and bounced ideas off of each other, that is just a bonus. This would be a band I would migrate toward regardless. Watching artists grow and really corner what they want to represent is really a beautiful thing. And “Bless Up” is just that “thing”. Every song on this record could be a single, it’s like everybody in the band within their vast many roles have spit-shined what they do best and brought it to the table like it was the last supper. It’s Rock (Subcon), It’s Pop (Programmable Animal), Alternative (Funday), Trippy (Bending Spoons)…it’s a wonderful melting pot of everything you’d want in those styles. The songwriting is so fine-tuned that it’s hard to find a hole in the album to pick apart because it is that good. You can hear components of classic Incubus, Faith No More and 311 weaved through some of the compositions but saying that doesn’t take away from the freshness and originality that SHINOBI NINJA possess. The turntables are sickening, the rhythm section is tight and thunderous, the guitars are chunky, nimble and fun and the dual vocal strikes from Duke Sims and Baby G have never sounded better.

This is the kind of record you’ll spin a few times in a row and roll down those windows burnin’ up the highway. It’s a good time and it’s meaningful. Through clever marketing with videos, merch and a powerful live show these Ninja’s prove that as a unit of like minded people with drive and a multitude of talents that anything is possible. It’s hard not to get caught in this vortex, if you don’t know you will. “This is the right direction, the right direction…”  Minus the two fun little interludes you’ve got nine rock solid songs that are begging to be accepted by a multitude of formats. It’s a great record, no BS.

http://www.shinobininja.com/home.html

BUY BLESS UP

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Rum Fit Mosey “Singles & Filters”

Toronto based Singer/Songwriter Rum Fit Mosey puts forth a very honest and solid effort on debut EP Singles & Filters which was just released via indie label Uglycub Records. First, let’s address the name, (pulled this direct from the artist) – “The rum fits: an old coin of phrase used by sailors to describe the effects of heavy booze withdrawal. A Rum Fit Mosey is one’s ability to sing and dance their way out of it.” Now, onto the music…

At times, songwriters create their own place in which they can find a spot to hide from the world while still being able to contribute to it. This is the case with “Mosey”. It’s a great example of a genuine offering that wants to exorcise some old ghosts while being relatable. These here are the type of songs you want to hear from an old jukebox in a lonely bar. Booze, drugs, heartache…it’s all there. It’s delivered from the heart and without pretense. Although these songs aren’t reinventing the wheel it’s still refreshing because we live in a world overburdened by unbearable and overproduced soulless sounds from fake and airbrushed faces.

If you really like to dig deep for music, then here, you’ve struck a gold nugget. Better yet, there is a cool little concept that goes along with this EP. Apparently, this is a collection of songs that will remain unfinished after its release. Singles & Filters will continue to be recorded and added to. Give this thing a listen and be a part of the journey as it grows. It’s well worth the time, this could easily become your next shoulder to cry on. Again, a real solid effort.

Great for fans of Angie Aparo, Clem Snide and Pedro The Lion

Find it here: https://rumfitmosey.bandcamp.com/releases And enjoy it everywhere.

Saturday Night’s are better for a lot more than fighting, this past Saturday was a primo example. Way East on the Island of Long, in a town called Ronkonkoma, sits a music venue called Backstage Pass. This little place over the last year or so has started to prove that it truly is a killer place for live music. This night a great set of bands took the stage there, but, I cannot lie, my mission was to catch the “one and only show” by this band called mUg bUg. Fronted by legendary howler and good friend of mine Dave Alvin I was super excited to see this band as I grew up listening to Dave front Queens based icons White Trash (“Apple Pie”, “The Crawl”). I wasn’t sure what to expect as I’ve only ever known Dave from WT. I of course expected it to be quality, but I wasn’t completely prepared for how rocked myself and everybody in the room would become.

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Right after War & Blues wrapped up their loosely conceptual set mUg bUg swiftly loaded on and nonchalantly took the stage with Alvin simply announcing who they were. The amount of thunderous riffage, pickle jar tightness and ease the band put forth was completely earth shattering. Alvin’s voice was edgier than ever and in tip-top shape. His fellow bugs were also clearly seasoned badass musicians. This was a no nonsense gig from a group of gents that wanted to do one thing, and that was to give an eager and very impressed audience a solid rock show, and, it transcended that surely.

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mUg bUg Photo: Soda

Highlights of the short set were “I Lost My Mind In El Paso” and another tune called “Don’t Let the Old Man In” which is purely about hanging on to your youth and not letting age dictate how you should live your life. Dave, clearly taking a more serious approach to his lyric writing this time around also bridged the songs with his usual smart ass honest humor.

Quick and to the point leaving the funk at the door the band delivered a set of hard rock songs that left everyone eagerly wanting more. A great place to leave off. *Hint hint guys*. Very much hoping for another performance from this band who could easily rise to the top of New York’s hot list.

Follow along on their FaceBook page: mUg bUg Official Facebook

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Southern California’s own AFI return with…(The Blood Album), their first in almost four years since the dense and very dark Burials. Since AFI’s 2003 breakthrough masterpiece Sing The Sorrow the band has shown us a multitude of styles and soundscapes in the form of Punk, Rock, Pop, Hardcore and beyond. This new installment is no slouch, adding to the bands now very versatile catalogue.

Once again as with Burials, (The Blood Album) shows guitarist, Jade Puget writing all the music for the group, this time however also at the helm producing the record. Much like the Davey/Jade side projects Puget continues to expand the reach and grasp of his monster talent. The album is beautifully produced and very clean with few peeks and valleys, which isn’t necessarily a bad thing with a record so accurately executed. Clearly drawing heavily on their new wave influences this album presents the listener with a bit of a sigh of relief as it’s predecessor was vast and brooding. Not that this one opens all the windows to let the sun in but it does relieve those of us that really appreciate the bands pop territories. This is also probably the closest they have come to the Sing The Sorrow sound in years.

“Blood” opens with the sonic seducer “Dark Snow” with the foursome setting the bar very high which they manage to maintain. The catchy sway of single “Snow Cats” is commercial without seeming lame. More tracks like “Hidden Knives”, will most likely become an AFI classic, both danceable and singable. It’s hard to find something really wrong with this contribution. In whole, the album is pleasantly haunting (“Above The Bridge”), nestled in punk roots (“Pink Eyes”) while remaining flavorfully accessible (“The Wind That Carries Me”).

Put quite simply, AFI is a band that can bend a genre without coming off contrived or insincere and at the same time able to easily return to any style they have showcased in their 25 plus year run. Kudos gents!

(The Blood Album) will enter billboard top 200 at number five. The bands highest charting record since DecemberUnderground.